The Ramayana, the Bhagavata and Puranas all contain references to the Veena, as well as the Sutra and the Aranyaka. The Vedic sage Yajnavalkya speaks of the greatness of the Veena in the following verse: “One who is skilled in Veena play, one who is an expert in the varieties of srutis (quarter tones) and one who is proficient in tala attain salvation without effort.”
Many references to the veena are made in old Sanskrit and Tamil literature, and musical compositions. Examples include poet Kalidasa’s epic Sanskrit poem Kumarasambhava, as well as “veena venu mridanga vAdhya rasikAm” in Meenakshi Pancharathnam, “mAsil veeNaiyum mAlai madhiyamum” Thevaram by Appar.
Each physical portion of the veena is said to be the seat in which subtle aspects of various gods and goddesses reside in Hinduism. The instrument’s neck is Shiva, the strings constitute his consort, Parvati. The bridge is Lakshmi, the secondary gourd is Brahma, the dragon head Vishnu. And upon the resonating body is Saraswati. “Thus, the veena is the abode of divinity and the source of all happiness.”- R. Rangaramanuja Ayyangar
saraswathiveena 